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All of our auditions are open to non-members. We hold read throughs for most of our plays which are also open to anyone who would like to find more out about the production. If you are successful in a part or simply want to help with the production in any way you will be required to join the Lindleys. In order to find out about them please join our mailing list or like our Facebook page! This page will be updated when audition information becomes available - please note we do not usually announce the auditions more than 6 months before the production dates!

 

The Lindley Players present 'Sleeping Beauty' by Lesley Cookman.

Auditions - October 5th 8pm for all.

If anyone is unable to make the audition, on production of a doctor's certificate I will probably arrange another date.

Scripts are now available in the Box Office at the Playhouse.

If you think you might be interested, the cast is as follows:

Fairy Queen - standard slightly absent minded Good Fairy

Nurse Neuralgia (Dame)

King Fisher –Prince Florizel’s father and distant cousin to Queen Bee

Pinch and Punch – I feel it’s essential here to emphasise the fact that these parts are up for open competition. A good rapport is fundamental, along with the ability to – er – be funny... It’s no accident that most double acts in the professional world are permanent double acts, not simply actors thrown together for the purposes of the performance.

King Basil – Princess Aurora’s father

Queen Bee – Princess Aurora’s mother

Carabosse – Wicked witch

Princess Aurora – Principal Girl. Although she is, according to the original story, coming up to her 18th birthday, tradition has it that she can be played by any actor who can look young and (fairly) pretty on stage

Dilly and Dally (Neuralgia’s helpers) Junior nurses.

Prince Florizel – Principal Boy. See what I said about the Princess. I am open to auditionees of either sex

Fairy Rose  and Fairy Sunshine (Apprentice fairies) Possibly drawn from Chorus

Chorus – I’m hoping for some people who can dance a bit, and of course, singing is important. The script will no doubt undergo several changes during rehearsal.

16+ only

Lesley Cookman This e-mail address is being protected from spambots. You need JavaScript enabled to view it